Saturday, August 26, 2017
I have so much to say, I’m going to say very little: What “ruins” me is not wanting for creative flow. I have more than enough. Distillation and editing takes the time. Incredibly, writing for presentation is easier. The Work is fun. The appropriation is difficult (distillation and editing). Writing for online presence is relatively easy.
Saturday, July 1, 2017
When I’m facing a backlog of “home work” (life management chores), that causes updating of the site home page to be brief—though such “facing” is an interesting theme.
Pragmatically speaking—in a sense of balancing ideal (creative) interests and
real (life managerial) interests—a conception of “balancing” is always at least implicit for actually living well (real-ly); and is appealing as a topic for thinking (creative-ly).
Saturday, June 17, 2017
Earlier this month, I uploaded a page from 2007 that’s very important to me: “Flows in living well”; and 30 old Habermasian postings, explained on a page about it all. The two pages are briefly explained in the update note for June 13.
Friday, June 16, 2017
Many discursive postings that I did in a blog that I never promoted have been put into this blog and our evolving—over 150 deliberative postings (and fun ones, for example: bizarre, more bizarre, and lightly wise). Those are postings prior to 2010 or so, tagged at each blog (by Web site Area at our evolving, more obliquely here).
Saturday, April 29, 2017
This week, a professional mime talked about the nature of performance for the PBS News Hour (link, at the end here, after I enstance my own frame on it).
His is an artistic take on performance, but its implicit value to me includes its dramatizing how all action is performance: We do things, either at a distance of self in the stance toward the action (particular intent); or/and with a frame (or perspective) on the situation that’s relevant to action. We tailor our action (at least implicitly) to be apt in a twofold way: apt to our limited intention (stance) and apt for the situation (relevant frame). We make stances toward enacting by limiting our intent. We make frames toward acting dressed by what’s suitable.
Sunday, April 16, 2017
My title is a line in the Washington Post article about last night’s episode of Saturday Night Live. Clarity is good.
Getting to the clearing may be difficult for some sensibilities; e.g., seeing the unbearable uncanniness of one’s ordinariness (not to mention the unbearable persistence of viciousness, etc.)
Saturday, April 8, 2017
My landscape of topics ahead feels so rich that I want to enjoy not yet deciding where to go next. Like having a clear conception of a painting, which doesn’t determine what part to begin with or to work on next, a story may be written from scenic designs that pop up with no hint yet where in a grand narrative they are to belong. Voices play around. A jazz of characters play their lives, while the painter-writer-composer documents in witness...
Sunday, March 12, 2017
Poetry, Language, Thought begins with a piece titled “The Thinker as Poet.”
The original is titled by Heidegger “Aus der Erfahrung des Denkens” (1947): “From the experience of thinking.” It’s part of a collection of short pieces titled The Experience of Thinking. So, “The Thinker as Poet” is the heart—one might surmise—of The Thinker as Poet—if one surmises that the title is not intended to be read as “From The Experience of Thinking.”
Indeed, the last writing that Heidegger distributed (as far as I know), 1973, was a dwelling with a sentence from Parmenides which opens with a quotation from “The Thinker as Poet.” No wonder, then, that it appears first in the 1971 collection of essays for English reading audiences that is prevalently concerned with poetic thinking.
Friday, March 3, 2017
Friday, January 20, 2017
You know it: countless conversations in a week—short conversations
with countless others. So, who are you, relative to that, specifically?
There’s no way to know, because (1) no one person records it all; and
(2) who’s got the time anyway to congeal so much?